Fashion photography has always been more than the documentation of clothing. From its beginnings in the early 20th century, the medium has captured not only style but also the spirit of an era. What started as a way to illustrate garments evolved into a cultural force, shaping ideals of beauty, glamour, and identity. By the 1980s and 1990s, this transformation reached its peak in the work of a generation of photographers whose images defined the rise of the supermodel.
“Versace Vixens, 1994” by ROXANNE LOWIT
limited edition of 5
Among them, Roxanne Lowit brought the backstage world into focus, creating a new visual language of intimacy and energy. Her photographs of Iman, Naomi Campbell, Linda Evangelista, and Yves Saint Laurent surrounded by models conveyed fashion as living theater. With her camera, she elevated moments that were once fleeting into iconic records of an era, turning the chaos and glamour of backstage into art.
“Yves Saint Laurent with Models, 1985” by ROXANNE LOWIT
limited edition of 5
Bruno Bisang captured the supermodel era with unmatched elegance. His portraits of Claudia Schiffer, Naomi Campbell, and other icons for Versace, Guy Laroche, and Balenciaga distilled sensuality, luxury, and poise. In his images, the lines between editorial photography and fine art blurred, leaving behind works that feel as timeless as the legends they depict.
“Naomi Campbell at Guy Lariche & Balenciaga” by BRUNO BISANG
limited edition of 10
Michel Comte translated fashion into spectacle. His famous 1994 group portrait of supermodels at Palazzo Versace has become a landmark of visual culture, crystallizing a moment when models themselves became global celebrities. Comte’s photographs are cinematic in scale yet emotionally immediate, celebrating not just fashion but the personalities who defined it.
“Sopermodels at Palazzo Versace, 1994” by MICHEL COMTE
limited edition of 3
Gérard Uféras approached fashion with the eye of a poet, particularly in his explorations of haute couture. His black-and-white images of Chanel and Philip Treacy capture the craftsmanship, drama, and elegance of couture as if it were performance art. By focusing on atmosphere as much as clothing, Uféras revealed the deeper artistry of fashion.
“Chanel Haute Cotoure” by GÉRARD UFÉRAS
limited edition of 2
Ellen von Unwerth, with her playful and provocative imagery, redefined femininity in the 1990s. Her photographs of Kate Moss, Naomi Campbell, and Claudia Schiffer exude spontaneity, sensuality, and empowerment. Von Unwerth’s work transformed fashion photography into a celebration of freedom and desire, challenging conventions while creating some of the most recognizable images of the decade.
“Kate Moss Shopping II” by ELLEN VON UNWERTH
limited edition of 3
Alongside her, Antoine Verglas offered an alternative vision, marked by intimacy and naturalism. His portraits of Cindy Crawford and the supermodels of the 1990s feel unguarded and direct, capturing authenticity within a world of artifice. His style revealed the charisma and personality of his subjects in ways that were as powerful as the clothing itself.
“Cindy Crawford II” by ANTOINE VERGLAS
limited edition of 10
“Versace Evening Gown” by SANTE D’ORAZIO
limited edition of 10
Albert Watson brought sculptural precision to fashion photography, creating images of Christy Turlington, Naomi Campbell, and countless others that stand as monuments of photographic art. His mastery of light and form distilled fashion into something elemental, bridging portraiture and abstraction. In his work, the human figure and couture achieved a kind of timeless perfection.
“Christy Turlington with Veil, Luxor Egypt 1987” by ALBERT WATSON
limited edition of 10
Together, Lowit, Bisang, Comte, Uféras, D’Orazio, Elgort, von Unwerth, Verglas, and Watson defined what fashion photography means today. Their images not only created the phenomenon of the supermodel but also ensured that fashion photography is recognized as fine art. In the limited edition prints offered at PREISS FINE ARTS, these works transcend their original contexts to become cultural artifacts—visual testaments to the glamour, creativity, and power of fashion’s golden decades.
“Claudia Schiffer in Rome, for Valentino 1994, VOGUE” by ARTHUR ELGORT
limited edition of 10
